M (1931) / M (1951) / EL VAMPIRO NEGRO (1953)
dir. Fritz Lang / Joseph Losey / Román Viñoly
March 7, 5:00 PM
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MACGRUBER (2010)
dir. Jorma Taccone
April 5, 7:00 PM
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AND MORE
FIRST COW (2019)
dir. Kelly Reichardt
Opens March 6 – Arclight Hollywood, The Landmark
In the frontier-America-set First Cow, a cook played by John Magaro tenderly examines a forest mushroom, almost talking to it, as he collects ingredients for his next meal. It’s a moment among a dozen distinctive and delicious others in Kelly’s Reichardt’s new movie that makes cinema feel like a salve for wounds you didn’t know you had.
DCP | INFO + TICKETS
EDGE OF THE AXE (1988)
dir. José Ramón Larraz
March 9, 7:00 PM – The Michelle and Kevin Douglas IMAX Theatre, USC
Spanish-American horror productions of the ’80s look familiar enough but feel like queasy dreams. Populated with casts drawn from Europe and the US, they feature exterior locations shot in the States and interior work done on Spanish stages. Violent and odd, these movies feel like viciously broken reflections of home. Pieces is the most notorious example, thanks to the U.K.’s Video Nasty controversy. Edge of the Axe is more moody and strange and in many ways a better slasher movie. It was also, for a long time, fairly difficult to see. A surprise slot at the New Beverly’s recent all-night Halloween marathon, and a restoration by Arrow Video, have put it back on the map. This is a presentation of Arrow’s restoration.
Digital | INFO + TICKETS
SAVING FACE (2004)
dir. Alice Wu
March 13, 7:30 PM – Billy Wilder Theater
The Billy Wilder screens Alice Wu’s feature debut as part of the UCLA Asian American Studies Center 50th Anniversary Film Festival, which also includes a 35mm screening of Justin Lin’s debut Better Luck Tomorrow on March 7. Unlike Lin, who went on to make a bunch of Fast & Furious movies, Wu is just finishing her second feature now, 16 years later. Saving Face is a generational rom-com, with Michelle Krusiec and Joan Chen starring as a gay woman and her traditional mother, respectively, who spar over their respective relationships… or lack thereof.
35mm | INFO + TICKETS
THE WILD GOOSE LAKE (2019)
dir. Diao Yinan
Opens March 13 – Multiple Laemmle Theatres
Diao Yinan’s 2014 movie Black Coal, Thin Ice deserves to be mentioned alongside cynical and world-weary modern detective exemplars like Zodiac and Memories of Murder. If the director’s gangster movie The Wild Goose Lake is not quite as strong, it has a commitment to pulpy violence and bluntly coded political commentary, and a blurry-beautiful nighttime visual palette shot by Dong Jinsong, who also captured gorgeous images for Bi Gan’s Long Day’s Journey Into Night.
DCP | INFO + TICKETS
OUT OF SIGHT (1998) / JACKIE BROWN (1997)
dir. Steven Soderbergh / Quentin Tarantino
March 14, 7:30 PM – Aero Theatre
Thanks to the New Beverly, you can often see Quentin Tarantino’s best movie on 35mm, but to catch it as part of a double making up the Ray Nicolette Shared Universe? That’s a great night out. The real draw here is a 35mm screening of Steven Soderbergh’s Out of Sight, which still plays like classical Hollywood cinema filtered through the early ’90s American indie movement. Michael Keaton’s cameo in Out of Sight, reprising his role as Nicolette from Jackie Brown, is a nice bonus. This double feature is part of the Aero’s series Women Film Editors: An Assembly. The late Sally Menke ran the Steenbeck for Jackie Brown, while Anne V. Coates (who also edited The Elephant Man and Lawrence of Arabia, among many other movies) cut Out of Sight.
35mm | INFO + TICKETS
CARNIVAL OF SOULS (1962)
dir. Herk Harvey
March 17, 9:30 PM – Alamo Drafthouse DTLA
A car accident turns the life of young Mary Henry, played by Candace Hilligoss, into a gauzy delirium in this low-budget ultra-independent horror movie. Actually, calling Carnival of Souls “horror” is insufficient to capture what makes the production so special. As Mary fends off the attention of men both corporeal and spectral, the jittery, detached performance from Hilligoss turns the movie into an uncanny social commentary. Hosted by TCM’s Alica Malone.