THE THIN MAN (1934) / MR. SOFT TOUCH (1949)
dir. W.S. Van Dyke / Henry Levin & Gordon Douglas
December 20, 7:30 PM
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AND MOREPORTRAIT OF A LADY ON FIRE (2019)dir. Céline SciammaNow Playing — Arclight HollywoodLast day! Writer/director Céline Sciamma contrives a strangely effective story to draw two isolated young women together: Marianne is an ambitious painter brought to a remote island to paint the portrait of Héloïse, who mustn’t know that her image is being captured. So Marianne observes her subject closely as they grow closer, painting furtively at night, considering every detail like an obsessive suitor. In the two lead roles, Noémie Merlant and Adèle Haenel are a luminous pair; their energy is sensuously tense. Their relationship can be electric, but Sciamma is just as interested in those hours where Marianne and Héloïse play-act a quiet home life, all captured in rich light by cinematographer Claire Mathon. (If you miss this one now, it will play a longer run in February 2020.) DCP | INFO + TICKETSEVIL UNDER THE SUN (1982)dir. Guy HamiltonDecember 14, 2:30 PM – Alamo Drafthouse DTLAThe Agatha Christie whodunnit is a specific pleasure: gently witty and glamorous, and oddly low-stakes despite the constant threat of murder. This was Peter Ustinov’s second of six turns as Christie’s detective Hercule Poirot. As always, the actor used the role as an opportunity to exercise a combination of verbal agility and soft physicality that is very much not Poirot as Christie wrote him; and yet he is absolutely convincing as the investigator. This, despite being lesser known than Death on the Nile, Ustinov’s debut in the role, might be the best of his run. 35mm | INFO + TICKETSTHE SHOOTIST (1976)dir. Don SiegelDecember 14, 1:30 PM – Autry Museum of the American WestIn Martin Scorsese’s The Irishman, we see the same movie theater marquee multiple times. The final time, the title on display is this elegiac Don Siegel film, in which John Wayne plays a gunfighter who, having shot his way through the lawless days of the West, has lived long enough to crave a peaceful death. Stricken with cancer, and confronted by the destruction he’s left in his wake, he might not get that chance. The Shootist was Wayne’s final film, and it reunites him with Jimmy Stewart, making a fine bookend to their 1962 pairing, The Man Who Shot Liberty Valance, which helped set the stage for many revisionist Westerns that came after — including The Shootist. 35mm | INFO + TICKETSMARRIAGE STORY (2019) / PATERSON (2016)dir. Noah Baumbach / Jim JarmuschDecember 15, 7:30 PM – Egyptian TheatreThere are a number of different ways to see Noah Baumbach’s Marriage Story on the big screen this month, and while, admittedly, few will feature Adam Driver in person (as this screening will), the real appeal here is the chance to see Jim Jarmusch’s Paterson projected. Driver stars in the low-key 2016 drama as a bus driver and poet whose small, relatively drama-free daily life becomes a rich microcosm of artistic inspiration and persistence. Driver will appear for a conversation between the films. DCP | INFO + TICKETSTHE EXORCIST III (1990)dir. William Peter BlattyDecember 21, 11:59 PM – Aero TheatreMaybe you’ve ignored the Exorcist sequels because there’s a common acceptance that William Friedkin’s original stands alone, follow-ups be damned. And, sure, the camp charms of Exorcist II: The Heretic are not for everyone. But William Peter Blatty, author of the original novel, directed this third film, and it’s a compelling horror in several ways, with flashes in which it is exceptional. The Exorcist III features a jump scare that is rightly considered to be one of the best ever on film. The bizarre plot imagines the Zodiac killer — who called Friedkin’s movie “the best satirical comedy” he’d seen — as a supernaturally-powered criminal. And there’s a great tête-à-tête between George C. Scott (taking over the Lieutenant Kinderman role played by Lee J. Cobb in the original film) and Brad Dourif, who plays the mysterious killer with a particularly nasty spirit. 35mm | INFO + TICKETS |